In the fast-paced world of contemporary jewellery design, few artists embody the deep connection between heritage and innovation quite like Ny Mora, the founder and creative director of Orobjects, based in Thailand’s Bangkok.

A native of Cambodia, Mora’s design philosophy is influenced by her cultural roots, merging traditional Cambodian aesthetics with the modern design language of today.

In a career that straddles both worlds, Mora is redefining what it means to create with a purpose — blending beauty, mindfulness and the art of storytelling.

Mora’s early life was steeped in the Kingdom’s rich cultural heritage.

“Cambodian design runs deep in my blood,” she says.

Mora said there is a quiet elegance in the curves and organic shapes found in ancient jewellery and the meticulous craftsmanship seen in the temples.

“These elements continue to influence my work on a subconscious level, even if I don’t directly reference them,” she told The Post.

Like the delicate curves of ancient jewellery or the symmetrical design of temple details, Orobjects’ jewellery aims to bring a sense of calm and balance to its wearers. Supplied

Mora’s path into the design world was not a straight line. While she had a background in business research and management, it was art and design that always called to her.

She said she has always been drawn to textures, forms and the stories that objects can tell. She is naturally introspective, and design has always been her way of connecting her inner world with the physical one.

This passion for creating with meaning led Mora to found Orobjects, a jewellery brand that combines minimalist design with a focus on mindfulness.

Fidgeting, as a form of stress relief, is a central theme in Mora’s Fidget Collection.

She shares that fidgeting, whether it's twisting rings or smoothing fabrics, is grounding for her, offering a way to manage anxiety.

This inspired her to create jewellery that not only serves as beautiful adornment but also acts as a subtle tool for soothing stress.

The pieces are designed to be interactive, providing a calming ritual throughout the day.

By incorporating motion and repetition, the collection becomes a small, wearable “safe space” for users, helping them stay present and find comfort during stressful moments like long meetings or commutes.

This approach highlights the therapeutic potential of fidgeting as a means to release tension and promote mindfulness.

Despite its contemporary look, Orobjects is deeply influenced by Cambodian artistry — though not in the overt, traditional sense.

“I don't replicate tradition directly in my designs,” Mora explains. “Rather, I use the impressions left by Cambodian culture as a foundation. It’s about capturing the essence of my roots and filtering that through a modern lens — creating something new that still feels familiar.”

Mora’s journey as a designer is also deeply personal. As someone who spends much of her life abroad, the emotional connection she feels to her homeland is strong.

She said returning to Cambodia is always an emotional experience. It’s where her roots are, and where she feels both small and deeply seen.

“With Orobjects, I hope to quietly reconnect with that space — not by replicating tradition, but by honouring it through modern craft and presence,” Mora told The Post.

As Mora looks to the future, she remains focused on the journey ahead, one that honours both her cultural heritage and the ever-evolving world of design.

“It’s about connecting with people on a deeper level,” she says. “I want my pieces to be more than just jewellery; I want them to be reminders of where we come from and where we’re going. Jewellery, at its core, is about connection — and that’s what I’m truly passionate about.”

In an era where design often prioritises trends over tradition, Mora’s work stands as a testament to the power of culture, mindfulness and craftsmanship.